Post by account_disabled on Dec 13, 2023 0:09:17 GMT -5
I don't like Italian TV series - never seen, honestly - nor Italian cinema in general - apart from the masterpieces of the past with actors like Totò, Fabrizi, Sordi, Tognazzi, etc. – I have seen and see only American television series. The dialogues seem perfect to me: they flow, they are natural. A writer must be able to write dialogues in the most natural way possible: I have already talked about how to write dialogue - and also how to make children speak in a story : in this case TV series and cinema are lacking, children speak like adults . The essential extras They are the characters of minor importance, but they are useful.
The extras - the officer who escorts the arrested person, the waiter who brings drinks, the passers-by, nurses and doctors who come and go in a hospital - must be there because they exist in everyday reality. In that case the Phone Number Data extras are all those we don't know and who cross our everyday actions. A writer must include extras in his stories. Yet sometimes we tend to underestimate the presence of characters like these. But they are essential to the story, because they define the setting in a credible way. What can you learn from TV series? Do you agree with what I wrote? Do you think you can really learn something as writers from watching a television series?integral part of the story, it contributes to its setting. Style Each story in Cloud Atlas is written in a different style.
Style which, like the language, adapts to the historical period to which it refers. And this increases the particularity of the novel and helps to make each story realistic. I have already written an article on the style to use in a story, in which I highlighted precisely this aspect of writing: adapting it to the type of story , create a sense of belonging and a feeling of relevance. Take the reader back in time or forward into the future.She noticed that people, approaching him, immediately distanced themselves from him, as if they were afraid of trespassing or being bitten, or even contaminated. There was no risk of contamination. The mass follows the mass, not the individual. He was amazed to ask himself, or rather to imagine, if an individual, just one, could move the masses. An idea to follow and pursue to reform, for better or for worse, the Rome and Italy of today.
The extras - the officer who escorts the arrested person, the waiter who brings drinks, the passers-by, nurses and doctors who come and go in a hospital - must be there because they exist in everyday reality. In that case the Phone Number Data extras are all those we don't know and who cross our everyday actions. A writer must include extras in his stories. Yet sometimes we tend to underestimate the presence of characters like these. But they are essential to the story, because they define the setting in a credible way. What can you learn from TV series? Do you agree with what I wrote? Do you think you can really learn something as writers from watching a television series?integral part of the story, it contributes to its setting. Style Each story in Cloud Atlas is written in a different style.
Style which, like the language, adapts to the historical period to which it refers. And this increases the particularity of the novel and helps to make each story realistic. I have already written an article on the style to use in a story, in which I highlighted precisely this aspect of writing: adapting it to the type of story , create a sense of belonging and a feeling of relevance. Take the reader back in time or forward into the future.She noticed that people, approaching him, immediately distanced themselves from him, as if they were afraid of trespassing or being bitten, or even contaminated. There was no risk of contamination. The mass follows the mass, not the individual. He was amazed to ask himself, or rather to imagine, if an individual, just one, could move the masses. An idea to follow and pursue to reform, for better or for worse, the Rome and Italy of today.